MUSIC / Lyric String Quartet - Institut Francais, SW7
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.It was a bold move of the recently formed Lyric String Quartet to choose idiosyncratic works for Friday's opening concert of the autumn chamber music series at the Institut Francais. But it was a move that paid off, for the challenge of Beethoven's taut, dynamic F minor Quartet Op 95, and the cool, withdrawn Voces Intimae quartet of Sibelius showed the nature of these young performers' progress since the quartet formed in 1990.
Individual playing was steady and purposeful in the Beethoven, pure and disembodied in the opening violin and cello solos of the Sibelius. Details of ensemble were equally impressive, these intimate voices blended in polyphony or standing together in bleak octaves. Though the fast music in both works was more questionable, with less haste assuring securer intonation, the sense of pacing from movement to movement was competent and coherent.
For the new work, Maurice Delaistier's Quartet, the players clearly pulled long and hard to bring together its mosaic of testing, virtuoso textures. Each new and promising idea was followed by discursion suggesting material stretched beyond its limit. A shorter length might have meant a more telling message. Even so, as the Beethoven demonstrated, musical compression involves a habit of mind, not just fitting things into a smaller space.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments