Making a drama out of OJ's crisis

Serena Mackesy
Thursday 04 May 1995 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

There are movies that get bought in as part of a larger package of films that a TV company actually wants, then languish unseen for years until either desperation or scandal force them onto the screen. Goldie and the Boxer, receiving its UK premiere tonight (12.20am C4), has all the hallmarks of being one of those. This sentimental made-for-TV yarn of a cute child and a large man who hits people for a living was made in 1979, produced by and starring OJ Simpson.

OJ has, of course, recently become big box-office: most people know who he is these days, even if they haven't been tuning in to coverage of his trial. Whether he would ever have achieved major renown outside his home country - where, as a sport star and well-off middle-class black role model, he represented roughly what the Fashanus represent to us - is debatable. He is certainly decorative, but no one ever listed histrionic talent among his gifts. Then again, he was very, very funny in Naked Gun 331/3.

But it's a fairly sure shot that Goldie and the Boxer will pull bigger audiences tonight than it deserves. And it's an interesting reflection on the way society has changed in the last 60-odd years: Fatty Arbuckle's career was destroyed by the notorious "champagne bottle" case. OJ's box- office value - and his future if he beats the murder rap - seems assured.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in