Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Sir. I am surprised at Roy Hattersley's easy dismissal of Journey's End.
The play presents a view of the First World War the psychological realism of which confirms and supports that of Hattersley's uncle. If Sherriff gives a romantic gloss to the picture of trench life, he does so only to show the desperation of men for whom, as Stanhope explains, that very romance was an attempt "to forget" the horror just a few steps from the dugout.
If Mr Hattersley is serious in his suggestion that we should forget the writings of those who - like Sherriff - served in the First World War, simply on the grounds that they were educated men who could spell, then he should consider the purpose of his own column, which moved me nearly as much as did my pupils' performance of Journey's End last week.
ALEX WENT
Head of Drama
Shrewsbury School
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments