Landmarks: Il Magistero, Urbino, Italy
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Walking through the narrow streets of the hill town of Urbino in Italy, the sole clue to a new building is a rust red door in a restored stone wall - only from the surrounding hills can one see a multifaceted skylight among the terraced walls. Its name is Il Magistero, which means The School of Education, and it forms part of the University of Urbino.
It was designed in 1976 by Giancarlo de Carlo: he has built a very big facility for the university but inserted it into a former convent, skilfully bringing together the forms and materials of the 15th and the 20th centuries.
You enter from the tight pedestrian streets of the town onto the upper level of a three or four storey building, built into the hillside. In front of you, you think you see a circular courtyard but when you get to the edge, you find its base is several storeys down - it is a kind of well, providing light and views to the academic accommodation lower down. Beyond that, on the same level, are a cluster of lecture theatres which are arranged in a dramatic semicircular form and are lit by a great skylight, sloping down to the lower floors.
Between these bold geometric shapes and the boundaries of the site are a number of foyers and circulation areas which have the feel of real public places. They encourage you to explore them, to go down circular stairs and ramps, and it's somehow reminiscent of the hill town outside. It is an inspiration to see how you can combine a careful appreciation of context with the insertion of very bold new ideas.
David Mellor is a director with Alec French Partnership, Bristol.
(Photograph omitted)
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments