In the frame: Disasters of War Brighton

Richard Ingleby
Friday 21 August 1998 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

"Disasters of War", the touring exhibition of prints from the British Museum which opens in Brighton this morning, takes its title from Goya's "Los Desastres de la Guerra", one man's nightmare of the Napoleonic invasion of Spain and arguably the most famous war art ever made. It is certainly among the most chilling series of images ever produced: 82 prints, of which 69 are on show here, etched between 1820 and 1830, though not published until 1863, after the artist's death. Goya's masterful if desperate prints are joined in this show by Jacques Callot's "Miseries of War", a 17th-century chronicle of an army's descent into chaos and from the 20th century by Otto Dix's Goya-inspired "War", an appalling vision of life in the trenches. They all deal with the small-scale, personalised misery of individual suffering. Not so much with the grand details of war and battle, but with firing squads, burials and the rape and pillage of civilian life. They inspire both revulsion and curiosity and a kind of tabloid interest in the details of the particular disaster, especially in the case of Callot, whose tiny etchings have to be scrutinised to be understood and whose tiny figures reveal the atrocities slowly as you stare.

Brighton Museum and Art Gallery, Church Street, Brighton (01273 290900) to 4 Oct

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in