Pierrepoint (15)

Anthony Quinn
Thursday 06 April 2006 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

"I do like to take a pride in my work," says Albert Pierrepoint, a neat Lancashire yeoman who, between 1933 and 1955, became Britain's most prolific executioner - an end title informs us he chalked up more than 600 hangings. As incarnated by the great Timothy Spall, Pierrepoint is a conscientious but necessarily repressed man who tries to separate what he does from who he is, a dislocation in which his wife (Juliet Stevenson) primly colludes. The strain begins to show after the Second World War, when General Montgomery himself requests Pierrepoint's services in helping to execute Nazis in the wake of Nuremberg. Adrian Shergold adapts a Vera-Drake-style palette of drab greens and duns to suggest the puritanical bent of mid-century Britain, and falters only in the last reel. It's heavy going and rather ghoulish at times, but Spall's enactment of the struggle between duty and doubt is just about perfect.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in