Flushed Away (U)

Nicholas Barber
Saturday 02 December 2006 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Aardman have swapped Plasticene for pixels to make their first computer-animated cartoon, but don't worry: it's still got all the fun, the English eccentricity and the head-spinning Heath-Robinson detail of the Wallace and Gromit films. It even looks familiar. The digital animation does an uncanny job of replicating claymation's textures, and the hero has Wallace's goggling eyes and toothy grin.

That hero is Roddy, a pampered pet rat who has the run of a Kensington townhouse. Then his life goes down the toilet, and so does he, and he washes up in the sewers underneath London, where his fellow rats have built a mini-metropolis. It's a place where sandwich boards are made of real bread, and incidental music is provided by whistling slugs. Soon, Roddy is caught up in a battle between a feisty rat-ette, voiced by Kate Winslet, and a toad (Ian McKellen) with a dastardly scheme.

Flushed Away is the best cartoon since, well, Wallace and Gromit. The action is a whirling delight, and the script, co-written by Dick Clement and Ian La Frenais, packs in so many puns and visual gags that every joke has one more punchline then you're expecting. My only quibble is the voice-casting of Hugh Jackman as Roddy. After the débâcle of A Good Year, Australians should be banned from using upper-class English accents for quite some time.

n.barber@independent.co.uk

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in