Films of the week: Unpalatable scenes that grossed a fortune

 

Laurence Phelan
Thursday 14 June 2012 11:23 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Saturday

Bridesmaids

8pm, Sky Movies Premiere

(Paul Feig, 2011) A perceptive ensemble comedy about failure and envy as well as the consolations of female friendships, Bridesmaids describes the painfully funny extended public meltdown of a thirty-something maid of honour to a best friend from whom she feels increasingly distant. The gross-out scenes producer Judd Apatow insisted on feel unnecessary, but the film went on to be one of his most financially successful yet. ****

Sunday

Little Miss Sunshine

11.10pm, Channel 4

(Jonathan Dayton, Valerie Faris, 2006) A breezy and funny hit US indie road-movie about the misadventures of an uncommonly dysfunctional family – dad (Greg Kinnear) is a depressed motivational speaker, grandpa (Alan Arkin) a drug-snorting delinquent, uncle Frank (Steve Carell) a suicidal gay Proust scholar – driving the chubby youngest daughter (Abigail Breslin) to a pre-teen beauty pageant. ****

Monday

The Out-of-Towners

7pm, Sky Movies Classics

(Arthur Hiller, 1970) In the first part of tonight's triple bill of Neil Simon comedies, the writer heaps a catalogue of mounting indignities and misfortune on a suburban couple during a night-long odyssey in an unwelcoming New York City. Jack Lemmon, who does neurotic and exasperated better than anyone, plays the husband, while Sandy Dennis is his wife – a voice of reason who goes forever unheard. ***

Tuesday

Inside Man

10.35pm, ITV1

(Spike Lee, 2006) Denzel Washington plays the hostage negotiator and investigating officer in what is essentially a simple locked-room mystery, but told in reverse and with aplomb. Clive Owen stars as the ice-cool bank robber with a cunning master plan, and Jodie Foster also features as a steely fixer. An uncharacteristic but well above average genre film from the director Spike Lee. ****

Wednesday

Roman Holiday

12.50pm, Channel 4

(William Wyler, 1953) Filmed on location and introducing the world to Audrey Hepburn, this fairy-tale romance must have seemed impossibly glamorous upon its release. And it remains a delight, with Hepburn's performance as a holidaying princess combining exuberance and poise, and Gregory Peck's US journalist seeming to come more fully to life in her presence. ****

Thursday

If

1.35am, Film4

(Lindsay Anderson, 1968) A classic of the British new wave, in which young rebel Malcolm McDowell, making his film debut, leads an uprising against the ruling classes as represented by the staff of his all-boys public school. Likewise, the film itself rejects the established order, being an entirely unruly, energetically styled work that abandons narrative order in favour of surrealism. ****

Friday

Best in Show

11.35pm ITV1

(Christopher Guest, 2000) In his second funniest deadpan mockumentary, This Is Spinal Tap's Christopher Guest and his usual repertory of actors play pedigree dog owners preparing to compete in a dog show. Beautifully faked and even kind of moving, it slowly reveals their wide spectrum of personality quirks and delusions, as well as something of the competitive and exhibitionist streaks in the American character. ****

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in