Film review: This Is 40 (15)

Shaky insight into a see-saw relationship

Laurence Phelan
Friday 15 February 2013 15:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Judd Apatow built his reputation with comedies about teenagers and arrested adolescents, but with 2009's Funny People and now this, a 133-minute, not particularly funny and apparently autobiographical examination of a married couple's mid-life crisis, it would seem that he is making a bid for artistic respectability.

There's still plenty of swearing and improvised vulgarity, but that isn't the problem. The underwritten script and tonal uncertainty are.

Debbie (Leslie Mann) and Pete (Paul Rudd) began life as supporting characters in Apatow's earlier, more closely observed comedy of manners, Knocked Up, and their personalities have barely developed since. They frequently behave inappropriately, but instead of funny it is merely inconsistent and confusing.

And the film oscillates crazily between the bracing frankness of scenes such as the one in which they discuss the ways in which they've fantasised killing each other, and the cloying sentimentality of their make-up scenes.

Whether because they were in one of his earlier films, or because they're based on people close to him, or played by his friends and family, Apatow seems to think we know these characters better than we do. But they just don't live or act or talk like us, or any other 40-year-olds we know.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in