Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Daniel Auteuil returns to the bucolic landscape of Jean de Florette and Manon des Sources in this very attractive adaptation of Marcel Pagnol's novel, set in Provence at the start of the First World War.
Well-digger Pascal Amoretti (Auteuil) adores his beautiful 18-year-old daughter (Astrid Bergès-Frisbey), but she, in turn, is smitten by bounder Jacques (Nicolas Duvauchelle), son of Mr Mazel (Jean-Pierre Darroussin), a social climber.
This is an extremely straightforward, old-fashioned and soft-centred drama about class and morality, which is silly in places, but also rather lovely.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments