Coherence, film review: James Ward Byrkit's witty sci-fi drama is doubly satisfying
(15) James Ward Byrkit, 89 mins. Starring: Emily Foxler, Maury Sterling, Nicholas Brendon, Elizabeth Gracen
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.James Ward Byrkit's sci-fi drama is both nostalgic (it harks back to The Twilight Zone) and refreshingly original in the way its story incorporates – and satirises – modern technology. There is also a hint of Buñuelian Surrealism in its portrayal of the same dinner party taking place in parallel worlds that are somehow colliding. The central conceit isn't especially original but Byrkit's treatment of it is atmospheric and witty.
The dinner-party guests, affluent thirtysomething types in a house in Santa Monica, notice a series of increasingly strange occurrences as a comet passes by. The electricity goes on the blink. Their mobile phones crack, their internet connection is lost. Most disturbing of all, they discover what appear to be multiple doppelgängers of themselves.
Byrkit throws in all the references to physics and shock tactics (abrupt noises, jarring cuts) that might be expected in a typical B movie. The music cranks up the tension. The film is shot handheld, like a fly-on-the-wall documentary. One of its strengths is the attention it pays to character. Scrape away the sci-fi trappings and this emerges as a caustic, closely observed drama about some narcissistic California types with obvious tensions in their lives that are only heightened when normal routines are disrupted.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments