Burke and Hare (15)

Starring: Simon Pegg, Andy Serkis

Reviewed,Anthony Quinn
Thursday 28 October 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The story of Burke and Hare, the murderous pair who provided cadavers for the pioneering surgeon Dr Knox in Edinburgh in the 1820s, has been filmed before, notably in The Body Snatcher in 1945, a Val Lewton horror starring Boris Karloff and Bela Lugosi.

This new version is the first time it has been told as a comedy, and if the presence of John Landis as director is a worry, the track record of writers Piers Ashworth and Nick Moorcroft (St Trinian's 2, Goal! 3) should have you cowering in your seat for all the wrong reasons. Simon Pegg (Burke) and Andy Serkis (Hare) at least provide a sliver of amiability as the infamous Irish labourers who realise that the supply of corpses to Dr Knox (Tom Wilkinson) could be profitably accelerated. The streets of Edinburgh furnish a properly sinister backdrop to this macabre business, but the film-makers haven't a clue how to make it work as comedy. Instead of writing some good jokes they pack out the cast with celebrity cameos – Michael Winner, Christopher Lee, Stephen Merchant – and hope that Ronnie Corbett as the militia captain hot on the murderers' tail will make up the shortfall (ahem) of laughs. It recalls another Scots-based comedy of a few years ago, Plunkett & Macleane, which also lacked any sense of purpose or wit yet kept ploughing on regardless. In the end, Burke turned King's evidence and consigned Hare to the gallows. This film too dies a death, just not quite as abrupt as that one.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in