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From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
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The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.One night in 1978, Hugues de Montalembert, a French painter living in New York, was assaulted in his apartment: one of his assailants threw paintstripper in his face; by morning, Montalembert was blind. In Gary Tarn's documentary, Montalembert talks about the world before and after he lost his sight, about the way the mind and the senses adjust to a new reality.
Like Derek Jarman's Blue, Gary Tarn's documentary struggles with the problem of putting blindness on screen. Where Jarman offered a blank blue screen, Tarn goes for complexity: to begin with, blurred, distorted images mimic Montalembert's experience; later, he seems to seek a visual equivalent for moods or ideas. This isn't always successful, at times approaching mawkishness; but overall, it is fascinating.
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