Another Earth (12A)

Starring: Brit Marling, William Mapother

Anthony Quinn
Thursday 08 December 2011 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Mike Cahill's thoughtful drama drags the ghosts of two recent movies in its wake. First Rabbit Hole, in which a teenage drunk-driver makes reparation with the parent (Nicole Kidman) whose child was run down; second, and more startling, Lars von Trier's Melancholia, in which a new planet pops up to glower down on Earth.

Brit Marling plays Rhoda, a young woman who's done jail time for her part in a car accident that killed a mother and child. Benumbed with guilt, she bluffs her way into the life of the bereaved husband (William Mapother), a composer-turned-bedraggled recluse with no plans to forgive ("I was afraid what I would do to that kid," he says, little suspecting that the culprit is in front of him). Meanwhile, the sky shows a duplicate earth hovering in the distance, apparently inhabited by our own doubles.

Cahill and co-writer Marling use the phenomenon as a springboard for existential teasers such as: what would you say if you met the "other you"? The conceit is somewhat over-extended by the launch of a public competition – a 500-word essay could win you a flight to "Earth 2", as it's called – seeming merely to reheat the old Hollywood chestnut of what-ifs and second chances. Marling and Mapother are very good as penitent martyr and depressed victim, their relationship a timebomb ticking down to revelation, but the sci-fi premise keeps bumping on the doorways of credibility.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in