1: Life On The Limit (12A) - film review

 

Thursday 09 January 2014 12:39 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Paul Crowder’s very well-researched feature documentary about Formula One racing, made alongside Ron Howard’s drama Rush and narrated by Michael Fassbender, has a strangely morbid undertow. The first part of the film follows the “travelling circus” of Grand Prix drivers in the 1960s and 1970s. They’re very dashing figures (likened by some to Spitfire pilots) who lead glamorous lives but stand a fair chance of being killed. Their cars are “mobile bombs” that grew faster and faster, even as the safety standards of the tracks stayed the same.

The roll call of victims is depressing in the extreme: we hear the stories of how Jim Clark, François Cevert, Jochen Rindt and many other top drivers died racing. At the same time, the film-makers are able to convey the excitement of a sport in which, thankfully, safety standards have improved immeasurably. They’ve spoken to all the leading drivers and F1 mandarins, including Michael Schumacher, Jackie Stewart, Max Mosley and an unusually candid Bernie Ecclestone. They also make excellent use of archive material.

Director Paul Crowder, 111 mins

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in