Cannes 2018: Hirokazu Kore-eda's 'Shoplifters' wins Palme d'Or award
Film hailed as a modest masterpiece from a veteran filmmaker
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Japanese director Hirokazu Kore-eda’s film Shoplifters has won the Palme d’Or – the highest prize – at the Cannes Film Festival.
The Cate Blanchett-led jury selected one of the festival’s most acclaimed entries for the award during Saturday’s closing ceremony.
Shoplifters has been hailed as a modest masterpiece from a veteran filmmaker that centres on a small-time thief who takes a young girl home to his family. After seeing scars from abuse, they decide to keep her and raise her as their own.
Spike Lee’s BlacKkKlansman, the highest-profile American film in the competition, was awarded the grand prize, the runner-up.
The true tale of a black police detective who infiltrated the Ku Klux Klan drew a rousing standing ovation but less enthusiastic critical reviews.
Lebanese director Nadine Labaki’s Capernaum was given Cannes’ jury prize.
Polish filmmaker Pawel Pawlikowski took best director for his follow-up to the Oscar-winning Ida, Cold War.
Best actress went to Samal Yeslyamova for Kazakh writer-director Sergey Dvortsevoy’s Ayka.
Taking best actor was Marcello Fonte for Matteo Garrone’s Dogman, an award that was presented by fellow Italian actor Roberto Benigni.
The prize for best screenplay was split between Italian writer-director Alice Rohrwacher’s time-warped fable about a poor farm boy in rural Italy Happy as Lazzaro, and Nader Saeivar and Jafar Panahi’s script for Three Faces.
Panahi has been banned from travelling outside Iran since he was arrested for participating in “propaganda against the regime” in 2010 after supporting mass protests over the country’s disputed 2009 election. Both Panahi and Russia’s Kirill Serebrennikov were unable to attend their Cannes premieres because both are barred from travelling out of their home countries. Seats were left empty for both, who received standing ovations in absentia.
A Palme d’Or Speciale, a special award not previously awarded, was given to Jean-Luc Godard for “continually striving to define and refine what cinema can be”, said Blanchett. Godard’s Image Book is a film essay collage that contemplates the West’s relationship to the Arab world. The 87-year-old French filmmaking legend called into his Cannes press conference via FaceTime.
Last year’s Palme d'Or winner was Ruben Ostlund’s The Square, which went on to be nominated for best foreign language film at the Academy Awards.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments