Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Cannes 2019: Bong Joon-ho’s ‘Parasite’ wins Palme d’Or award

Dark comedy scoops top prize ahead of Mati Diop’s ‘Atlantique’

Peter Stubley
Saturday 25 May 2019 16:27 EDT
Comments
Cannes Film Festival opens with zombie movie The Dead Don't Die

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

South Korean director Bong Joon-ho has won the Palme d’Or prize at the Cannes Film Festival for his social satire Parasite.

The dark comedy centres on an impoverished family of hustlers who move into the home of a wealthy entrepreneur, his wife and two children.

They worm their way into the other family’s lives – and then strange things start to happen.

It is the first Korean film to ever win the Palme and the second straight victory for an Asian director, following last year’s award for Shoplifters by Japanese filmmaker Hirokazu Kore-eda.

Two years ago, Mr Bong’s film Okja was booed at Cannes when the Netflix logo appeared on screen. Netlfix later withdrew its films from the festival after organisers ruled that all entries needed French theatrical distribution.

The festival’s second-place award, the Grand Prize, went to French-Senegalese director Mati Diop’s Atlantique​. Diop was the first black female director in competition at Cannes.

Belgian brothers Jean-Pierre and Luc Dardenne shared the best director for Young Ahmed.

Best actor went to Antonio Banderas for Pedro Almodovar’s Pain and Glory, while best actress was won by British actress Emily Beecham for Little Joe.

Celine Sciamma’s period romance Portrait of a Lady on Fire was the Palme pick for many critics this year, but it ended up with best screenplay.

Support free-thinking journalism and attend Independent events

In the festival’s 72-year history, only one woman has won the top prize. Jane Champion’s film The Piano shared the award with Chen Kaige’s Farewell My Concubine in 1993.

Additional reporting by AP and Reuters

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in