Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

DC finally admits it's been trying to make films too gritty and dark

New DC head thinks the studio has made mistakes with its filmic tone

Christopher Hooton
Friday 09 September 2016 06:44 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

I’ve never really bought the whole ‘DC films are too grim’ thing - they still involve lycra (albeit it toned down) and utility belts after all - but there’s definitely something about their laconic gruffness that have caused them to flounder in the face of Marvel’s recent superior cinematic offerings.

The problem is partly that, given Christopher Nolan’s Dark Knight contributions were so good, DC/Warner Bros couldn’t resist trying to emulate it with Man of Steel et al, instead of switching the style up.

It seems they’ve finally learned their lesson though, with Warner Bros’ new head of DC Films Geoff Johns admitting this week that they’ve been sticking too fastidiously to a formula.

“Mistakenly in the past I think the studio has said, ‘Oh, DC films are gritty and dark and that’s what makes them different.’” he told The Wall Street Journal.

“That couldn’t be more wrong. It’s a hopeful and optimistic view of life. Even Batman has a glimmer of that in him. If he didn’t think he’d make tomorrow better, he’d stop.”

Johns said WB are urgently trying to bring some go this “optimistic view” to the DC Extended Universe, following the critical panning of both Batman v Superman: Dawn of Justice and Suicide Squad.

The problem is, no-one wants a hyper-positive film either.

It’s really the characters and writing that are causing DC to lag behind Marvel right now, so if they think just injecting some optimism and gags into Justice League is going to save it, they might be disappointed…

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in