Anthony Hopkins reveals how he made iconic Silence of the Lambs prison scene even scarier
Actor’s decision freaked out director Jonathan Demme
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Anthony Hopkins has revealed how he made The Silence of the Lamb’s most chilling scene even scarier.
The actor looked back at his experience on the 1991 film with co-star Jodie Foster for Variety’s Actors on Actors interview series, revealing that he kept up the performance of Hannibal Lecter when the cameras stopped rolling.
Both actors discussed the scene that sees Foster’s Agent Clarice Starling first visit Lecter in his prison cell.
Ahead of filming, director Jonathan Demme asked Hopkins where he wanted Lecter to be positioned when Starling arrived.
“Jonathan said, 'How do you want to be seen? Do you want to be reading, or painting or lying down on the bed?’” Hopkins said, stating: “I said, ‘I’d like to be standing here.’"
When Demme asked him why, Hopkins responded: “[So] I can smell her coming down the corridor.”
Demme, whom Hopkins suggested was unnerved by his remark, permitted the actor to stand in the middle of the cell, and the resulting shot has endured as one of the most memorable character introductions in film history.
Foster said she remembered the set as being “eerie”.
The pair were speaking in conjunction with their new films The Father and The Mauritanian, both of which are considered Oscar hopefuls.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments