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Once Upon a Time in Anatolia
Nuri Bilge Ceylan's enigmatic crime procedural takes its time revealing not much about the crime, but a great deal about male loneliness and regret. This long night's journey into day ends on a note of ambiguity that resonates deep in your bones – indeed, so subtly does Ceylan work his effects, that only on my way home did I realise I'd been watching a masterpiece.
Nostalgia for the Light
History, elegy, essay, indictment, Patricio Guzmán's astonishing documentary encompasses all of them. Chile's Atacama Desert is the driest place on Earth and a magnet for astronomers because of its transparent air. It's also the site of Pinochet's killing fields, the burial ground of thousands of dissenters who vanished under his regime. Now relatives scour it for traces of loved ones.
Barbara
Nina Hoss, reuniting with director Christian Petzold (Yella), is quite brilliant as the disgraced doctor under surveillance in the provincial GDR of 1980. Cold-eyed and distant, Hoss doesn't make a naturally sympathetic heroine, but her resourcefulness under pressure comes to matter in a tense, taut drama with some crafty wit up its sleeve.
The Pool
It took five years for Chris Smith's slight but stirring feature to get a release here, but thank God it eventually did. The story of a country-born lad who skivvies at a Panjim hotel but dreams of the big city, it transcends coming-of-age conventions through a quartet of lovely performances – and through Smith's eye for the flaking grandeur of old India.
Argo
The American film I most enjoyed this year. This tale of a scheme to extricate six American fugitives from the cauldron of Tehran, 1979, by disguising them as film-makers, is so preposterous you know it must be true, whatever embellishments the film adds. Ben Affleck makes his third decent film in a row, and plays the starring role of the CIA rescuer with commendable restraint. Hooray for Hollywood – and, er, Langley.
Discovery of the year: Great Expectations
Great Expectations got a rough ride in general from the reviews, the strange omission in particular being the outstanding performance of young Toby Irvine as Pip. So much of the book's meaning has to be inscribed upon Pip's face - terror, of course, and pity, and as much confusion, regret and longing as one adolescent boy could ever experience. Toby Irvine caught all of this, yet still retained an entirely credible innocence.
Turkey of the year: The Knot
More of a crime scene than a movie, this was Noel Clarke's attempt to piggyback the current comedy-gold standards of The Hangover and Bridesmaids. Sadly it packed in all the crude stuff about stag'n'hen night misdemeanours but failed utterly to translate either's charm or invention.
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