Good Scene / Bad Scene

Chosen by Craig Lahiff, director of 'Black and White'

Interview,Jennifer Rodger
Thursday 29 January 2004 20:00 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Good: The Verdict, Sidney Lumet, 1982

I watched this before making my film and what I like is its visuals and sound. Paul Newman plays Frank Galvin, an ambulance chasing lawyer who's given a medical malpractice suit about a botched operation that has left a pregnant woman comatose. In the scene when he first visits the woman, the director Sidney Lumet doesn't use any dialogue ­ just the deathly rasp of the respiratory machine. Frank takes a polaroid and as its image starts to materialise Frank changes from seeing a victim to seeing a real person. It's a turning point, and it's the beginning of Frank's road to redemption. It's Paul Newman's best performance.

The Bad: Suspicion, Alfred Hitchcock, 1941

I really liked this film but it's let down by the final scene. It's about Lina (Joan Fontaine) who thinks her new husband (Cary Grant) wants to murder her. Hitchcock builds up the suspense until the end when the audience expects the murder to happen. Instead, they become happily reconciled as she realises she has been mistaken. In actual fact, Hitchcock wanted a different ending where she is poisoned but the studio wouldn't allow its star Cary Grant to be depicted as a murderer and Hitchcock had to change his ending at the last minute. All the reviews complained about the ending.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in