Film: Video Watch

Mike Higgins
Wednesday 04 November 1998 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Live Flesh (18)

Available to buy now pounds 15.99

IN ITS full-blooded investigation of sexual and emotional motivation, this is the kind of satisfyingly complex film that no British or American film-maker would ever think of making. What's more, Pedro Almodovar succeeds where he hasn't since Tie Me Up, Tie Me Down in finding a screenplay worthy of his insight.

This adaptation of a novel by Ruth Rendell is a convoluted and melodramatic thriller: a young man accidentally shoots a policeman in the process of rescuing a well-to-do druggy girl. A few years later, he emerges from prison to find that the same policeman, now wheelchair-bound, has married the girl. So, he embarks on a physical relationship with the wife of the disabled policeman's violent partner. A flurry of passion, blood and wheels, it all seems in keeping with the film's opening scene: the birth of the young man to a prostitute aboard a bus, 20-odd years before. Don't let the plot faze you. Set in the context of Spain's post-Franco social liberation, this compelling soap opera, now vulgar, now mature, still finds time to illustrate the knotty nature of love and machismo with characteristic verve.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in