Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Brazilian choreographer Deborah Colker is known for her work with huge and perilous sets.
She’s at it again with Tatyana, a retelling of Pushkin’s Eugene Onegin. Playing multiple versions of the central characters, her dancers clamber over Gringo Cardía’s stylised wooden tree or plunge to the stage in death-defying drops.
The soundtrack is a taped patchwork, from Tchaikovsky to work by music director Berna Ceppas. Colker cuts all the supporting roles, leaving just the four lovers. A handful of Tatyanas write the famous love letter to Onegin, waving a quill pen or using it to write imaginary words on their own bodies. Colker adds a figure of Pushkin, and dances him herself, sharing the role with Dielson Pessoa. They push and manipulate the characters, or rage at the story itself.
For all the acrobatics, the characterisation is thin. No matter how many women dance them, there’s little contrast between bookish Tatyana and flirty Olga. The older, more sophisticated Tatyana appears on pointe – but it’s hard to show much self-possession in these manhandling duets. The dancers drive themselves through the athletic steps, fearless and frenetic.
Until 14 August. Box office 0131 473 2000
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments