Edinburgh Festival `98: From Russia for fun

THEATRE: DEREVO PLEASANCE

Dominic Cavendish
Sunday 16 August 1998 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

ANYONE who saw Derevo's award-winning Red Zone last year might be forgiven for thinking that the Russian clown troupe was more concerned with lowering its audience's endorphin levels to the point of clinical depression than giving people something to smile about. After that saturnine antishow, with its flickering shadows, sour white faces and malevolent posturing, Once - billed as "a tragic unhappy love"- comes as something of a surprise. It could even be called audience-friendly.

For one thing, there's a fairy-tale narrative, involving a battle between a beak-nosed janitor and a suave tycoon-type for the heart of a beautiful waitress, that rages across fantastical landscapes. The tale heads inexorably towards a melancholic, cynical conclusion, but in uncorking its mute characters' fateful desires, it allows for the kind of warm-hearted clowning that Red Zone lacked. Above all, Once shows Derevo's head honcho, Anton Adassinski, and his four other performers, to be as possessed of traditional slapstick skills as they are of a macabre, absurdist imagination.

Each scene is so carefully choreographed that the mood can alter with the volatility of a dream: the skittish waitress and refined suitor dance with automaton precision; suddenly, the envious janitor is being chased around the auditorium by a fascistic pair of knockabout cops. There are enough coups de theatre here to fill a dozen shows, ranging from the sight of a near-naked Cupid (pure Caravaggio), disconsolately retrieving his misdirected arrows, and a Dal-esque riot scene, in which manic fire-eating and flag-waving are conducted to the hellish cuckoo-calls of a double- headed pierrot on stilts. It's kitsch, it's clever. Go at least once.

Runs at the Pleasance, Venue 33 until 31 August (0131-556 6550)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in