DRUNK A Derby Spiritual Jagjaguwar JAG 02

Thursday 04 September 1997 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

This one's a bit of a mystery, but an oddly enticing one which should appeal to lovers of the sadcore style of Smog and Palace. Not even their British PR knows anything about this Virginia septet, and despite the folk and country influences at play on this debut album, their name is a bit of a misnomer, A Derby Spiritual being a tentative, decidedly sober exercise in melancholy. If it comes to that, there's nothing about Derby on the record, and I'm damned if I can find anything overtly spiritual about it, either. The songs are secretive, introspective odes, and even the most forthcoming of them are tricked out with such impermeable lines as "Fireballs rise, Germany skies".

Fiddle, accordion, pump-organ and mandolin tint these songs, but they're played in a deliberate, methodical way which drains this usually frolicsome instrumentation of its joie de vivre; the sombre undertow of cello on some tracks adds its own dark undercurrents, as does the persistent amplifier buzz audible in the quieter moments. The textures bring to mind The Band, but without their blithe accomplishment: rather, these ramshackle ruminations are precariously perched on the edge of collapse, held together only by the sense of intimacy in their performance.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in