John-Luke Roberts Distracts You from a Murder, Pleasance Dome, Edinburgh

Julian Hall
Monday 16 August 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The confident and handsome John-Luke Roberts, another of those clever boys from The Invisible Dot stable along with last year's newcomer winner Jonny Sweet and last year's main award winner Tim Key, is the kind of gentleman who could get away with murder if not basing his show on the slight premise of committing one.

Somehow pulling off a tank top with panache, Roberts sets about bludgeoning his audience into submission, first with a series of pre-pared insults he reads off cards. "In a dystopian vision of the future you would remain the same", runs one.

It's clever, it's arresting, but a device leaned upon perhaps a bit too much. And it marks out, for me, his faintly aloof persona that can't quite draw me in to his conceit.

A string of television and radio writing credits bear testimony to his comedy brain and there are moments here to savour. Much of the humour is cute: for example, he talks about changing his name to "Walk Don't Walk" and living in New York so his name could be up in lights, or making a Battenberg cake and calling it an "apartheid sponge".

These kind of jokes are a counterweight to the gruesome business of torture and murder that Roberts' persona is engaged in, but I think there should be more tension between these opposing forces. It's a refreshing take without being one that enhances the material within.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in