`Collected Stories'
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.What Is It?
New York author Donald Margulies' slow-moving two-hander about age overtaken by youth and the perils of writing fiction based on real life. Margulies was apparently inspired by the 1993 controversy that surrounded the American novelist David Leavitt's appropriation of a chapter from Stephen Spender's autobiography.
Who's In It?
Helen Mirren (right) is excellent as Ruth Steiner, an established short- story writer and teacher, fluctuating between frustration and affection as the balance of power shifts between her and her ambitious young pupil Lisa Morrison (Anne-Marie Duff).
What They Say About It
"There are moments when it comes together, and the two performances seem to fire off each other... but it's all too little, too late to ever turn this into a success story," Dominic Cavendish, The Independent.
"Mirren and Duff act and inter-act beautifully, even if the play itself has a slow-burning quietude that belongs in a smaller, off-West End house," Michael Billington, The Guardian.
"Unfortunately the play is a touch predictable and pat. Only in Mirren's marvellous moment of recollected love, and in her bitter desolation at the end, does it really take flight," Charles Spencer, The Daily Telegraph.
Where You Can See It
Collected Stories is at the Theatre Royal Haymarket, London SW1 (0171-930 8800) ends 5 Feb
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments