Schwizgebel/CBSO/Gabel Symphony Hall, Birmingham, review: An impressive and idiomatic performance

The Swiss-Chinese pianist Louis Schwizgebel performed music by Franck, Chopin and Berlioz in a concert dedicated to the late Louis Frémaux, principal conductor of City of Birmingham Symphony Orchestra, conducted by Fabien Gabel 

Richard Whitehouse
Thursday 27 April 2017 04:05 EDT
Comments
The pianist Louis Schwizgebel performed with the City of Birmingham Symphony Orchestra under the direction of Fabien Gabel
The pianist Louis Schwizgebel performed with the City of Birmingham Symphony Orchestra under the direction of Fabien Gabel (Marco Borggreve)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The spirit of the late Louis Frémaux, principal conductor of City of Birmingham Symphony Orchestra (CBO) during the 1970s, informed this concert dedicated to his memory. All three works featured in his repertoire, the unbridled élan of Berlioz’s overture Le Corsaire a scintillating curtain-raiser to a programme which continued with Chopin’s Piano Concerto No. 1. Swiss-Chinese pianist Louis Schwizgebel gave an unaffected reading of the solo part - his tone a little unyielding in the opening movement’s limpid second theme, with a poised elegance to the Romanze that never cloyed and a vivacity that saw the finale home in engaging fashion.

The French conductor Fabien Gabel ensured alert accompament, confirming Chopin’s still-derided orchestration as rarely less than effective, then presided over a commanding account of Franck’s Symphony in D minor. Brucknerian in spiritual aspiration this may be, but there was nothing portentous about Gabel’s charged and tensile approach to the first movement, with the central Allegretto exuding a deftness that accentuated its wistful charm. The finale, whose intensive recycling of earlier themes can seem contrived, responded equally well to Gabel’s purposeful manner; building methodically to its triumphal though never overbearing apotheosis. An impressive and idiomatic performance, of which Frémaux would doubtless have expressed his approval.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in