Preview: Prom 10: Yevgeny Sudbin, Royal Albert Hall, London

The prodigy playing music his own way

Michael Church
Wednesday 23 July 2008 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

When 28-year-old Yevgeny Sudbin takes the stage at the Royal Albert Hall tonight, there will be more than the usual frisson with a budding virtuoso. He may be elusive, but the acclaim that has greeted his recordings of Scarlatti, Rachmaninov and Scriabine has been deafening. Disc of the year, "aristocratic poise", "fingers of steel, heart of gold" – with all of which one can only agree. His playing of Scarlatti's delicately calibrated sonatas combines the facility of Horowitz with a blindingly fresh realisation of each piece's unique sound-world, while his Rachmaninov presents a condign majesty.

It's no surprise that he should have come up the hard way, with a rigorous Russian grounding, but it's more of a shock to discover that when he was 10 – and labelled "little Chopin" by his classmates – he seriously doubted whether he would ever play again. This was because his family had moved from St Petersburg to Berlin: in the immigrants' hostel where they were settled there wasn't a piano. Fate took a hand: "Somebody from the Berlin conservatory heard a pianist was living there and sent us an old upright," he says, "and after a few months of practising I won the German Federal Competition." Though he now professes to disapprove of competitions, he went on winning them, and at 16 beat a path to the Purcell School, where he studied under Christopher Elton, the eminent piano professor, for the next nine years. And Elton, he says, "let my personality come through".

Tonight Sudbin will be letting Rachmaninov's personality come through, having leapt at the chance to play his First Piano Concerto in preference to the more popular ones that followed. "It's a very youthful piece, but a genuinely great work." How will Sudbin's performance compare with the composer's own performance? "His own recordings are interesting, but I don't follow them slavishly. With this music you have to find your own way. Nobody else's way should be the Bible."

Tonight, 7.30pm (0845 401 5040)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in