El Niño, Usher Hall, Edinburgh

Lynne Walker
Monday 16 August 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The Edinburgh International Festival, which this year explores the exchange of cultural influences between Europe and the Americas and beyond, opened with John Adams's nativity oratorio, El Niño, a piece that is as striking for its complex orchestral sonorities as for its often luminous vocal and choral writing.

Conducted dispassionately by James Conlon, the BBC Scottish Symphony Orchestra embraced the characteristic Adamsian mannerisms of chugging rhythms, cinematically swooshing strings and big-band and rock elements, while the Edinburgh Festival Chorus captured the alternately fragmentary spikiness and airy radiance of the writing.

The National Youth Choir of Scotland provided one of the few emotionally engaging moments in the serene final chorus, while alongside the three principal vocal soloists (Jessica Rivera, Kelley O'Connor and Willard White), a trio of countertenors provided a wraith-like commentary. It was a pitch-perfect and polished performance, but for all its superficial stylishness, El Niño blew up little more than a cool draught.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in