Album: Brahms, Piano Quintet etc/ William Howard, Champs Hill

Anna Picard
Saturday 21 August 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Brahms's Piano Quintet in F minor had a traumatic birth. Its first incarnation was as a string quartet, its second as a sonata for two pianos.

Only in 1866 did it graduate as a quintet, dark of timbre and strikingly varied in texture. It is a signature work for the Schubert Ensemble, whose direct sound sings vividly here. Pianist William Howard's thoughtful, sepia-tinted reading of the Opus 117 Intermezzi and the second Opus 118 Intermezzo complete the disc, the last as gentle as a kiss.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in