Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Bach's great unfinished work has been subjected to many realisations, the original keyboard exercises applied to recorder, saxophone, woodwind and string interpretations, and even an electronic rock version by Laibach.
But most arrangements stick to one section of the orchestral palette, an approach rejected by this German early-music ensemble, who imbue the methodical counterpoints with new life by sharing them between strings and wind, and by sequencing the series for maximum contrast, switching between strings, harpsichord and wind in turn. Whatever the sequence, it's the vivid way in which the Akademie realise Bach's ingenious structures that makes the recording so compelling.
DOWNLOAD THIS Contrapunctus 4; Kanon 15; Kanon 14; Contrapunctus 18
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments