CDs OF THE YEAR: WORLD: Some easy listenin' Panufnik, better-than- ever Charlatans ... and verbal riches from Richman

Phil Johnson
Saturday 11 December 1999 19:02 EST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

TAJ MAHAL

(Hannibal)

Post-modern delta blues meets Malian string-driven things in this satisfying collusion between musical traditions. Taj Mahal doesn't get overly respectful, and his spirited guitar playing is lively, while the six- piece Malian ensemble sounds appropriately rough and ready. "Queen Bee" is a killer, with Diabate's kora - a West African harp-lute - creating shimmering patterns around Mahal's ragtime-derived guitar beat.

THE BEST BEST OF FELA KUTI

(Talkin' Loud)

Double CD compilation from the back-catalogue of the late, great Nigerian bandleader, James Brown, with riffs melting seamlessly into tribal trance-rhythms. It also sounds incredibly fresh and new; perfect for hip clubs in either London or Lagos.

MISIA: GARRAS DOS SENTIDOS (Detour)

Dark and melancholy Portuguese fado; Misia is its new voice, and her delivery of lyrics from contemporary poets is strikingly effective. Half plaintive croon, half strangulated cry.

VARIOUS ARTISTS: BRASIL 2 MIL: THE SOUL OF BASS-O-NOVA (Ziriguiboom)

Old-style Brazilian bossa nova re-recorded and remixed into a contemporary dance style, with contributions from Bebel Gilberto, Arto Lindsay, Chico Science and Vinicius Cantuaria. As the above names might suggest, this is far from an "authentic" world music collection (whatever that may be), but as a suck-it-and-see sampler of cutting-edge Brazilian grooves, it's great. Track six, "Alta Noite" by Arnaldo Antunes, is one of the best things I've heard all year.

VARIOUS ARTISTS: THE BEST OF TROPICALIA (EmArcy)

Compilation of late 1960s tracks from the influential Tropicalismo movement in Brazilian popular song, which sought to mix indigenous styles with Western pop, rock and jazz. Caetano Veloso and Gilberto Gil are the main men here, with additional contributions from Gal Costa and the group Mutante. The results are continually surprising, as near to Lennon and McCartney as to Jobim or Gilberto, and at times approaching a kind of southern hemisphere psychedelia.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in