Through the Square Window, By Sinéad Morrissey

Reviewed,Stephen Knight
Saturday 14 August 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Sinéad Morrissey's 1996 debut volume, published when she was 24, marked her out as a poet to watch. Her exceptional fourth collection, Through the Square Window , more than fulfils that early promise.

Avid for a world "clamouring to be experienced", her lyrics and narratives (she is equally good at both) teem with creatures, ideas and people: Aristotle's theory of spontaneous generation, the gift of a dead hare, and Edwardian children caught on film. Lewis Carroll's Alice, above , appears several times.

As its title's nod to Play School suggests, the book dwells on childhood, with poems about an infant's acquisition of language, the rhymes and games of the nursery and the playground, and the transitoriness of childhood itself, likened to a passing royal visit. "Staring west/ at the last of a trail of dust", the parents stand at the kerb, memorising "the hair, the eyes,/ the inscrutable footmen, the marvellous horses".

In a couple of poems, the dead look in at the window, and the book as a whole is poised between life and death. But Morrissey's writing is affectionate rather than sentimental, dark rather than morbid – a tribute to its vigour and formal deftness.

Shortlisted for the 2009 TS Eliot prize and a strong contender for this year's Forward prize, Through the Square Window is an impressive addition to a fine body of work. It confirms Sinéad Morrissey as the outstanding poet of her generation.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in