The White Umbrella by Brian Sewell, book review: A bit too twee for today’s children

I can’t help but wonder how many contemporary kids the book will appeal to given it deals with a particular type of British identity

Lucy Scholes
Sunday 29 March 2015 08:14 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Ever since I read Cornelius Medvei’s captivating tale of a chess-playing beast of burden Caroline, I’ve had a bit of a soft spot for books featuring a human/donkey friendship. This is quite a precise genre, I hear you say, but along comes The White Umbrella by Brian Sewell, and it fits my demands perfectly.

Mr B, “a wiry little man of fifty with white hair”, is a historian filming in Pakistan when, in the middle of rush-hour traffic in Peshawar, he leaps from the film crew’s Land Rover to rescue a young donkey struggling with a heavy load on her back in the street. Making the immediate decision to free her from bondage, he abandons his colleagues, arguing that he’ll walk home with his new pet – whom he names Pavlova after the famous ballerina with equally long legs – all the way to London.

So begins a trip that takes him into Persia, across Turkey, through Greece, then Serbia, before they reach the more familiar roads of Germany, France, and finally England. In the end though, there’s not much walking since a series of kindly souls offer them lifts in their vans and trucks, or book them on trains. Most notably, the final leg of their journey is spent travelling in style after a friendly Scottish bibliopole driving a Rolls-Royce with a boot full of valuable manuscripts picks them up somewhere in the Balkans.

This delightful little novella, the characters of which are comically brought to life by Sally Ann Lasson’s sweet and simple black-and white-illustrations, is being sold as a children’s book. This, of course, is somewhat new territory for one of the country’s most famous and controversial art critics, but the now 83-year-old apparently wanted to write something that would make children think about the world around them.

As much as I admire Sewell’s ambition, not to mention the fact that I was rather charmed by the story myself, I can’t help but wonder how many contemporary kids the book will appeal to given it deals with a particular type of Englishman (one who never swears but still uses “old-fashioned schoolboy slang” when excited; and carries an umbrella, but “no ordinary umbrella”, one from London’s James Smith & Sons), and a particular type of British identity (that of a world where diplomats in Istanbul feast on the contents of hampers from Fortnum & Mason, and ambassadors and their wives are named Horatio and Laetitia), which many people would argue is at best, out of reach of most, and at worst, outdated and twee.

Order for £9.49 (free p&p) from the Independent Bookshop: 08430 600 030

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in