The Language Wars: A History of Proper English, By Henry Hitchings

Brandon Robshaw
Saturday 17 September 2011 19:01 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

This erudite but eminently readable book recounts the story of English from Anglo-Saxon to the present-day, with emphasis on how it has changed and the bitterness with which those changes were and are contested.

There are two main camps when it comes to linguistic change: the prescriptivists, who know what correct English is and won't see it tampered with; and the descriptivists, who hold that change is inevitable and observe it dispassionately. Refreshingly, Henry Hitchings does not quite belong in either camp. He is primarily a descriptivist and confesses to being annoyed by the hyper-correction "between you and I", but he sympathises with the prescriptivists and sees that protest against change is as necessary and natural as change itself.

Chapters are brief and enticingly titled: "Flaunting the rules"; "The comma flaps its wings"; "Of fish-knives and fist-fucks". Hitchings defends split infinitives, argues against wholesale spelling reform and makes a convincing case that English is not in decline. One small criticism: there are points when I would have welcomed more examples. Hitchings discusses Dr Bowdler's cleaned-up edition of Shakespeare but without giving any of the changes Bowdler actually made. I would have loved to know whether there is any truth in the old story that Bowdler rendered a line in Cymbeline respectable by the simple expedient of dropping an S: "Thy mistress, Pisanio, hath played the trumpet in my bed".

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in