The Diamond Queen, By Andrew Marr

Christopher Hirst
Thursday 31 May 2012 14:06 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

It would be a foolhardy critic who badmouths a royal paean this weekend, but the woman described as having "shrewd judgement" and being "a wicked mimic" deserves a better assessment of her six decades on the throne than this po-faced hagiography.

Andrew Marr nails his Royal Standard to the mast in his preface: "Britain without her would have been a greyer, shriller, more meagre place." So much for objectivity. Marr lambasts his erstwhile republicanism: "This was mainly because I thought it would make me feel clever."

Unfortunately, the reverse does not apply. His ardent defence of Elizabeth II is glib and incurious. Stuffed with PR spiel ("Britannia... travelled a total of 1,087,623 nautical miles calling at over 600 ports in 135 countries"), it rarely goes beyond the glossy surface of the royal story.

In the 20 pages devoted to George V, we inevitably learn that he was "over-enthusiastic about his world-class stamp collection" but not how he financed this obsession. Princess Elizabeth's "Grandpa England" sold the unequalled royal collection of Gillray and Rowlandson cartoons (acquired by the far more cultured George IV) to the US Library of Congress.

Touching on honours, Marr ignores the devaluing of knighthoods by a seedy choir of pop stars, but extols the OM and gives a glowing list including "Henry Moore, Lucian Freud and Anthony Caro". How odd that he fails to mention royal art acquisitions in the past century. As a visit to Buckingham Palace gallery reveals, the Royal Collection pretty much ended with Victoria.

In other areas, there is excessive padding. Even though he admits the affair is "trivial", Marr devotes five pages to the attempt of Tony Benn as Postmaster General to remove the Queen's head from stamps.

Marr's observation that following the death of the Queen Mother "some Palace people thought that... the Queen came to feel liberated" is a rare exception to the pervading blandness. This shallow, unrevealing portrait ends with Marr trilling like a toadying 18th-century poet laureate: "The British public's view of the Diamond Queen is sparkling, crystal, clear." One can almost hear the "wicked mimicry" this will inspire in Buckingham Palace.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in