Crime In Brief: Red Leaves <br></br> Lights Out<br></br>

Mark Timlin
Saturday 22 April 2006 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Quercus is a brand new imprint with a lot of fine crime titles to be published this year, and if this, the first I've seen, is anything to go by, it will be a big success. Something ugly rears its head in small-town America as a little girl goes missing while being baby-sat by a teenage boy. Slowly but surely the boy's father, Eric Moore, who narrates the story, begins to suspect everything his son does and says, and realises that his whole life is based on falsehood. As his wife who is cuckolding him says: "Everybody lies", which mirrors the comment by his alcoholic brother: "Everybody's a fake."

Red Leaves is a brilliant description of how a seemingly perfect life can fall apart all because of one phone call. Outstanding, and so very melancholic.

Lights Out by Jason Starr (ORION £18.99 £17.99 (P&P FREE) 08700 798 897)

Ryan Rossetti is a blue-collar kind of guy, painting walls in Brooklyn. But once he had a dream of being a big-time baseball player. Instead, his buddy Jake got the brass ring and several million dollars as a star of the game. Jake's a creep, only interested in number one, not even in his childhood sweetheart and fiancée, Christina. Now, in his absence, Ryan and Christina are an item, but Jake is on his way home to set a wedding date owing to a little local difficulty with an under-age girl which he thinks can be solved by becoming a family man.

This is the worst kind of eternal triangle which must end in tears. And it does, as Ryan is accosted by two cracked-out kill-crazy gang-bangers, and a chain of coincidental events leads to murder. But not the expected one.

Like George Pelecanos at his best, Jason Starr manages to get inside the heads of his characters, both black and white, and with Lights Out punches more than his weight.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in