Audiologue written and read by Christopher Logue, sung by Annie Ross

Christina Hardyment
Thursday 30 August 2001 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Striking packaging and excellent notes do full justice to this spectacular milestone in audio and poetry publishing. It presents 40 years of Christopher Logue's poetry, including the whole of War Music, his famous version of Homer's Iliad, and several compositions which feature jazz by the Tony Kinsey Quintet. The first two CDs present selected poems, several autobiographical, read by Logue in his tight, power-packed voice: commanding, demanding, and provocative. The next four are devoted to War Music, Homer made modern and immediate but losing none of his rich colour and song. So far, so extremely good, but my personal favourite is the seventh CD. Red Bird Dancing on Ivory has seven poems based on Pablo Neruda's Veinte poemas de amor y una canciun desperada (1924) spoken by Logue almost as if he was an instrument in Tony Kinsey's jazz quintet. The influence of Neruda adds delicacy to Logue's intensity. Then comes Loguerhythms, songs, some sharp, some tender, sung by Annie Ross. Finally, The Arrival of the Poet in the City, an interweaving of voice and seven instrumentalists into a unique conversation.

Best of the Rest

Half a Life by V S Naipaul, read by Sam Dastor, Macmillan, 3hrs, £8.99. Willy Chandran believes he is drawn after others rather than self-directed. I couldn't help feeling he was just plain selfish. Compelling listening, but a troubling story, full of ambiguity which abridgement may well have increased.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in