A Tug on the Thread: From the British Raj to the British Stage, by Diana Quick

Christian House
Saturday 29 May 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Raven-haired, stop-you-in-your-stride-eyed Diana Quick is just the kind of memoirist who would have readers flicking to the index for a pagination of juicy bits.

From her heady days at Oxford to her long-term romances with Albert Finney and Bill Nighy, via a notorious ocean-liner love scene in Brideshead Revisited, Quick's life would make vicariously joyful reading. However, this book is not that story. Rather, it is the well-researched tale of the blanketed past of her father's family, played out in the dying days of the Raj.

Quick's familial archaeology digs up plenty of skeletons and some peculiar details from the times. Her father and grandfather were both dentists, so we get a peak at the world of Indian molars along with the paternal spats. Of Quick, we learn only what is deemed appropriate to this history. Her career choices, she claims, have been influenced by the "thread of covering up" that winds through the branches of her family tree. For instance, Lady Julia Flyte, her most famous role, is "an outsider too: some of her relatives are dark and foreign". Ultimately, though, one would like more on the boys, the bottle and the love boat.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in