NO-HEADLINE

Saturday 17 May 1997 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The world of Homer Sykes's Celtic Britain (Weidenfeld pounds 14.99) is over 6,000 years old, and includes sites which predate even the Iron Age. The mysteries were especially active in the so-called Dark Ages, after the Roman colonisers left, as early Christianity mingled with the older traditions of the King Arthur cult. But the megalithic monument (above) created by Edward Prynn of St Merryn is modern. The granite gateway in the foreground is a copy of a Neolithic chamber tomb; the triangular "marriage stone", where Prynn and his wife, Glynis, conduct Druid weddings, echoes a Bronze Age original. A stone circle, a rocking stone and a copy of the Men-an-Tol complete the "Angles Runway", a neo-pagan tourist attraction.

The Angles Runway's mixture of ancient and modern reflects the atavistic modernism of Le Corbusier. But other photos in the "Contemporary Celts" chapter are far stranger. The "Burry man" of South Queensferry - a human effigy covered in burrs, paraded through the streets, to this day, to raise the herring? The present-day Gorsedds of Cornwall, at which dozens of bards dressed in nun-like blue robes sing hymns to King Arthur? Neo- pagans believe that the rites of the past never really die out; worshippers bring such rites alive and kicking into the here and now. It is a strange, and not entirely comical, sight.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in