Arts news

Marianne Macdonald
Friday 27 September 1996 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

One does not usually think of film studios as trying to kill off their actors, but Sir Alec Guinness seems to be an exception. In My Name Escapes Me: The Diary of a Retiring Actor, published by Hamish Hamilton on Thursday, he reveals a hair-raising escape from death while making The Lavender Hill Mob in 1951.

In the Ealing comedy co-starring Stanley Holloway, Guinness played a bank clerk involved in a nefarious plot to smuggle gold out of England by melting it into models of the Eiffel Tower. He notes: "Ealing Studios never succeeded in killing me in spite of some quite good tries, the first of which was during the making of Lavender Hill. Rehearsing a brief scene in which Stanley and I were required to escape from the top of the Eiffel Tower, the director said: 'Alec, there is a trap door over there - where it says Workmen Only - I'd like you to run to it, open it and start running down the spiral staircase. Stanley will follow.'"

Guinness duly did as he was told and raced dizzily down the steps only to screech to a halt on realising that the steps had broken off halfway down. "I sat down promptly where I was and cautiously started to shift myself back to the top, warning Stanley to get out of the way.

" 'What the hell are you doing?' the director yelled. 'Down! Further down!' 'Further down is eternity,' I called back."

In a unique appointment, the London Mozart Players has appointed the Northern Irish poet Martin Mooney to be writer in association for the orchestra. It is thought to be the first time that a British orchestra has worked with a writer in such a way, rather than appointing a composer.

Mooney, 32, is the author of Grub, a full-length collection of poems which won the Brendan Behan Memorial Award, and a short play, Baltic Exchange. He joins the LMP for two years from next Tuesday and will be devising full evening programmes for festivals and concert series combining his own writing and other texts with music.

One of his projects will be to write the text for a children's piece aimed at five- to nine-year-olds, but his general brief is to break the mould of the traditional concert format.

Peter Godwin this week won the 1996 Esquire/ Apple/Waterstone's non- fiction award for Mukiwa, an account of his surreal upbringing in Rhodesia, among witch doctors and leopard-hunting, not to mention civil war and tribal atrocities. The BBC documentary maker was awarded pounds 10,000 and pounds 5,000 of computer equipment.

Previous winners include The Railway Man by Eric Lomax, In Pharaoh's Army by Tobias Wolff and When Did You Last See Your Father? by Blake Morrison.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in