This is a flat 2D painting on canvas
Swedish artist uses hyperrealism to surreal results
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.No seriously. Those aren’t folds and creases. There is no paper or tape. Nothing tangible to hold.
It’s just oil paint, on canvas.
Don’t believe me? Here’s a side-view:
The painting is one of several by artist Yrjö Edelmann, who ‘endeavours to delude the eye of the observer by conjuring forth a trompe-l’oeil image with his wrinkled wrapping paper [paintings]’.
Here are some equally mind-bending photos of his work being hung in Sweden’a Galleri GKM Siwert Bergström:
“His paintings play with shape and shade, with proportions and the properties of colour,” the gallery explains.
“His creations challenge our senses, capturing the sensation of hovering between what truly exists and what is merely the shadow of a dream.”
Starting out drawing for comic strip magazines, Edelman became Influenced by French surrealism and started experimented with hyperrealism, becoming increasingly engrossed in packages, wrapping paper and pieces of string.
“What is the difference between fantasy and fact, between night and day, between torment and transports of delight?” Johan Persson commented on his work. “Yrjö Edelmann’s pictures are frequently located in the territory between dream and experience, in a vacuum where the eye wanders through a labyrinth of almost infinite proportions.”
The paintings are on display at Galerie Jane Griffiths Chateau des Marres Ramatuelle
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments