Portfolio: Cédric van Turtelboom, Frozen assets

 

Adam Jacques
Saturday 08 December 2012 20:00 EST
Comments
Portfolio: Cédric van Turtelboom, Frozen assets
Portfolio: Cédric van Turtelboom, Frozen assets

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The district of Shunyi, north-east of Beijing, isn’t known for its winter snow – yet it is home to one of the biggest ski parks in China. And it’s one of eight that the Belgian photographer Cédric van Turtelboom visited on a trip to the region last year for his series My Winter Holiday – a project that won him the honour of being one of four young photographers exhibited at the Grand Palais as part of the celebrated Paris Photo festival.

The Lianhuashan resort represents the rapidly growing leisure pursuit of winter sports among China’s middle classes – and never mind that it requires a hefty dump of artificial snow to sustain. It is this use of precious water that gave Van Turtelboom the impetus for his series. “The [Tianmo] desert is not far from Beijing – and water supplies here are threatened by the resorts,” he says.

By depicting these synthetic locales – from their fake blossom trees and alpine rocks that pepper each resort to this striking shot of a trio of red lanterns – Van Turtelboom is gently critiquing an industry that shows no signs of abating. “What I like in this project is that by starting with an incongruous picture that might make you smile you start to think about the series as a whole, and in the process you’ll learn something about the artificiality of it all.”

For more: cedricvanturtelboom.com

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in