Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Their fifth album finds The Strokes continuing the search, begun on 2011's Angles, for ways to tackle the future.
It's a tricky business, development often coming at the expense of core qualities: they're virtually unrecognisable as the band that made their game-changing debut, save perhaps for “All the Time”, where Julian Casablancas' vocal slouches against tightly riffing guitars. Elsewhere, things range from the predictable – the disco-funk-rock of “Welcome to Japan” – to the irritating in “Call It Fate, Call It Karma”, where Casablancas' falsetto croon over jazz guitar sounds like Thom Yorke at his smuggest. Weirdest of all is the oddly appealing “One Way Trigger”, whose jerky keyboard figure is unexpectedly reminiscent of A-Ha.
Download: All the Time; One Way Trigger; Welcome to Japan
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments