Album review: Bombino, Nomad (Nonesuch)

 

Andy Gill
Friday 29 March 2013 16:00 EDT
Comments
Bombino, Nomad (Nonesuch)
Bombino, Nomad (Nonesuch)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Omara “Bombino” Moctar's 13-minute “Tigrawahi Tikma” was one of the standout cuts on last year's Songs For Desert Refugees compilation, its driving guitar trills exemplifying the enduring strength of Tuareg desert-blues.

Produced by The Black Keys' Dan Auerbach, Nomad confirms Bombino's promise, but with a few added surprises. Opener “Amidinine” lopes along with the camel-gait rhythm peculiar to the region, and Bombino's guitar tone is wiry and astringent, but his voice is surprisingly high and gentle, with an almost Marc Bolan-esque timbre.

Download: Amidinine; Ahulakamine Hulan; Aman; Zigzan

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in