Art: Chuck Close

Sharon Gethings
Friday 16 July 1999 19:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In a neat parallel to the exhibition of Rembrandt self-portraits at the National Gallery, the Hayward is mounting a show of work by contemporary American artist Chuck Close (left). Close has been painting the human face for the past 30 years, using himself and artists such as Roy Lichtenstein and Cindy Sherman, and the composer Philip Glass, as subjects. The portraits are based on photographs taken by Close which are then blown up in size. The show traces the evolution of Close's technique, from detailed, monochrome airbrushing, through a finger painting method, to the current more abstract and very colourful brushwork. This first UK retrospective arrives following a hugely successful tour of the States.

Hayward Gallery, London SE1 (0171-928 3144)

from Thursday to 19 Sep

Sharon Gethings

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in