Observations: Architecture finally hits the bottle

Jay Merrick
Thursday 18 September 2008 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

In Greek, protos means new. But in Penafiel, north-western Spain, it means three million bottles of wine a year – four million when the new Bodegas Protos production plant, designed by Rogers Stirk Harbour, starts production this month.

Big league architects are changing the face of wine-making, especially in Penafiel, where the tempranillo grape has produced vintages for decades. It is no longer enough to make wines, it's about turning wineries into destinations.

Seen from the slopes just below the 14th-century castle, the new architecture looks like five barrel-vaulted farm sheds pushed together in a roughly triangular plan. The ensemble, textured and coloured by the rise and fall of their terracotta roof tiles, hints at brandysnaps.

The challenge for 21st-century architecture was to deliver a million more bottles a year without erasing the winery's historic gravitas Protos has produced wine at Penafiel since 1926, and much of its tempranillo is grown and harvested in the same archaic manner as Cistercian monks.

In committing £15m to the project, it's amusing to discover that Protos considered Lord Rogers a bit of a risk. Managing director, Teotimo San Jose, bemoaned Rogers' "lack of experience in winery design" and only chose Rogers because Rafael Moneo and Santiago Calatrava were busy with other wineries. The new winery is in part a response to Lord Foster designing a mega-winery nearby, and recognition that smaller local wineries are upping the ante with distinctive new buildings, which not only increase efficiency, but are valuable marketing bolt-ons.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in