A megastar with not a (grey) hair out of place; PETER YORK ON ADS

No 140: CLAIROL LOVING CARE

Peter York
Saturday 03 August 1996 18:02 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Jane Seymour is a remarkable person. Not only does she have her burgeoning thesp career as queen of the mini-series, but she's also found the time to make new twins and she's got a philosophy of life to share with other more ordinary women. Her wisdom concerns the priorities a busy yet serene mother and megastar should observe, and it's on display in the current Clairol "Loving Care" ad.

You shouldn't fret about a few grey hairs, says Miss Seymour, when there are other more important things to worry about, like getting your waist back after having twins - and especially not when there's something as gentle as Loving Care around to give you "your own beautiful colour back".

Try my prodigious life for size, she says - itemising her "six kids, two dogs and three agents" - letting slip the scale of the success, domestic and professional, that she wears so lightly. In the face of such fecundity, colourant anxiety does seem marginal. "It's just a little box of hair colour."

Jane Seymour's gorgeous life is played out against a backdrop of Malibu Art Director's Modern Classic: a beachhouse with crisp white square columns under a brilliant blue sky, filled with smart rattan furniture. It's just the setting for a major Seymour vehicle, like the one about the brilliantly successful divorced doctor who falls for a suave psychopath. It's the look of the beachside scene in American Gigolo (1980). It's the aesthetic of better-end American cosmetic advertising.

Miss Seymour herself is a study in russet shades of make-up and hair colourant. The camera lingers on her tawny hair for some time while she continues with the detailed account of her life. And the point is that she's clearly in charge of it, as Americans like to say: pulling her own strings. She's a woman of our times, juggling career, family and an inner life. Strange then to recall how recently she starred as the other-worldly romantic English heroine in the Max Factor Le Jardin scent commercial.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in