DVD: The Book of Eli (15)

 

Jack Riley
Thursday 03 June 2010 19:00 EDT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Careering between moments of deep biblical reflection and extreme violence, it's Denzel Washington's monosyllabic lead character who provides all the intrigue in this post-apocalyptic drama.

As a mysterious traveller braving the American mid-west to deliver the last remaining copy of the Bible to an initially unspecified source, the film recalls too many of its post-nuclear forebears to list – suffice to say there are crazed cannibals and marauding outlaws aplenty to keep the plot moving along as we're treated to the spectacle of the cast of Mad Max clashing with Washington's aloof protagonist.

If the opening scene, of Eli (Denzel Washington) roasting a cat for his dinner while listening to Al Green on an old iPod, seems to promise a sense of humour, it's a hope sadly dashed in the rest of the movie, which centres on the efforts of gangster Carnegie (played by Gary Oldman) to relieve Eli of his copy of the good book so that he can use it for his own nefarious ends.

Unusually for a biblical scholar, Eli is possessed of superhuman skills in self-defence which make Carnegie's job more difficult than he imagined. It's diverting, if bleakly so, and though the post-nuclear backdrop may seem very familiar, it's the nagging feeling that the film is somehow proselytising that keeps it from fulfilling its potential.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in